director Charlie Kaufman
duration 134minutes
7,2 of 10
Drama
release date 2020
actor Jesse Plemons

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The movie starts somewhat grounded. The plot follows a woman who is invited to her boyfriend's parents' house, in the countryside during bad weather. Yet, from the get go the movie goes into hardcore avant-garde stuff, as the first sequence is an uninterrupted car journey with the young couple in the car talking to each other. It is a twenty minute long sequence that feels double that, and it is excruciatingly boring. From the start, the dialogue scenes, which are almost all the scenes in this movie, are tense and uncomfortable to sit through. And that is by design, by the way. The characters don't talk to each other in this film, it more like the actors are exchanging lines of dialogue. It gets better at times later on when there are more than two people in the scene, but it is still what most of this film is.
Later they arrive at the parents' farm and the movie delves into this creepy/horror tone which kind of makes things a bit more interesting, but it never delivers. The movie uses a lot of visual language and tropes of horror films, but is no way a horror film. The film never ceases to give the audience a sense of unease and dread, and I am not surely why. Granted the movie acts fully as psychological horror, as after watching it you need to take a shower and hug your loved ones, but then you don't need the jump-scares the haunted house bit and the dread of the blizzard night.
Overall, there are some good things in this movie and I can appreciate the general idea behind it, e.g. the suicidal janitor's story told through his fantasy, but that is utterly buried under the weirdness. Also the way visual language is used is detrimental to the movie. The story and plot are not helped by the cinematography and sets; they are constantly fighting each other, which create another layer you must piece to get to the meaning of the film. I am still unsure if it is a mistake from the part of the filmmaker, or if it is on purpose as meta-commentary. To be fair the movie left me too mentally exhausted to even care.
The film looks like it was badly adapted from a stage play, which is paradoxical when it was in fact adapted from a book. That is why the film feels confusing. You will notice early on that mostly all dialogue feels alien. It feels like it engineered to be marveled at. It does not fonction as a means communication between characters, between humans, it is a tool by which the author, in this case Charlie Kaufman, lays out his worldviews and the themes of the film. The whole film feels like a rebuff of the rule "show don't tell" yet at the sale time it expects you to understand the janitor plot only by subtext.
The movie feels like it is constantly winking at the audience for using what it itself purports as these elaborately smart devices. But in truth, its intelligence is mostly unreadable and obscure.
Starting this film, I was not familiar with Charlie Kaufman, I only vaguely knew that he was a screenwriter's screenwriter. There is nothing to change my mind here. However, if there is any movie that you could compare this to, it would be Synecdoche, New York which is similar in the way it refuses to tell its story in clear fashion, however that movie was at least visually grandiose.

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